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Alex Munoz '19 

PHOTOGRAPHY

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Women's March, Philadelphia 2018 

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Tucker Dunn '19

ESSAY

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Finding Comedy as a Coping Method in Times of Facing Inequality and Conflicts

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    I do not think it is a mistake that a lot of the letters that make up ‘Humor’ also make up the word ‘Human.’ I’m sure plenty of people will agree with me. Who doesn’t like to laugh, after all? Who doesn’t like to make other people laugh? All jokes, from the most eye-roll-inducing of puns to the longest of gaffs are a net gain for everyone around them.

 

     Comedy became meaningful to me not when I first started going to the Hill, but when I started leaving the Hill. Going back home for breaks was a bit of a journey, usually taking an hour and a half or two hours if the traffic was particularly bad, and event which seems to be a very  My dad usually was the one to pick me up and bring me back, and one day, somehow, Comedy Central’s radio channel switched on. And it has been the sole channel of the trip to and from this school ever since. It has been perhaps the greatest bit of road trip bonding in our family’s history.

 

     Comedy radio is great, since because of all the stand-ups and one-offs that play, there is never really any ‘bad times’ to listen. For every mediocre bit that comes on the airwaves, there’s about a dozen really funny ones, and if a channel is having a bad streak, there are about three directly next to it on the dial. I almost think that is by design, since I found that my dad and I were constantly switching back and forth in between, not out of the fact that any of them were all that bad, but they were all so consistently good. In fact, I can only recall a single bad comedian that they consistently kept playing. So, if you take one thing from this article, let it be this: Do not listen to Jeanne Robertson. Not even to see if she’s really ‘that bad’ because she isn’t. She is so much worse. And that is something my dad and I will both attest to.

 

     It is the most humanizing experience, I feel, to laugh with someone. It is something that everyone knows how to do, after all. Even infants know how to laugh. The shared act of laughing goes back to what I said earlier. Everyone loves to laugh. My dad especially. Sooner or later, it wasn’t the timing, the delivery, the talented entertainers, or even those stupid puns that were making me happy. It was just hanging out with my dad as we were driving, listening to LaughUSA play an old Steve Martin gag.

 

    So I ask you this. Listen, read, or watch some good Comedy. Listen to My Brother My Brother and Me if you don’t like the radio, maybe watch a full stand-up act on Netflix or in person or on Youtube or any other medium, listen to After Hours, or anything that will make you laugh. Because laughing is such a great thing to do, even if it is just for a little bit.

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Anonymous 

POETRY

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femi

 

“He had never met the victim before. Apparently, security footage suggests that he passed over six men who entered the unisex toilets before singling her out, simply, it seems, because she was a woman."

– The Economist, 2016, on the Seocho-dong public toilet murder case

 

maybe it’s a microscopic malfunction, those missteps of outliers

not all men, not all women – say it on a loop.

feminist, in the form of its cruel abbreviation, femi

but under the same umbrella of ethnicity, we can’t ignore

she who bled in the dim yellow flood of the subway bathroom at the feet of a stranger

she who ate tears in the bathroom from comments that degraded but could not hit back

she who needed to act cute for the men and pour the drink with two hands, just because

she who took home â…” of money, equally earned as a male colleague, but could not tell

she who was pockmarked with bruises and smoked in cigar stench of her violent husband

she who was a woman, and had to thrash with weights on her legs in a swamp of no-nos.

they shout under the canopy of ads and shows that flash images of empowering women that we are here in a flipped society of equality that emerged from the shell of misogyny, that we should be grateful. it’s an odd sight how in a modern society plastered with pride, the highlighted sticker of a first world country, the vines of condescending and violent discrimination is strangling, glorifying the notion of an inferior gender to the point of an undoubted fact.

we are bred to be unsuspecting and submissive.

tapping the line of opportunity, suggesting a doubt for the existence of those lines, squeaking voices of rebellion, are crimes.

we live in a country where calling someone a is bestowing a slapping insult soaring beyond the rate of vulgar language. dare you say that you are a feminist, brace for the buckets packed with the branches of such defamation, designed to naturally tag the word nyeon, a version of bitch. girls in constricted uniforms, cornered due to expected body images beckoning anorexia and commonplace desires for plastic surgery, will never face a drought of these in public schools with the faintest hint of feminism. in doing so, they are branded mae-gal-nyeons, kimchi-nyeons, doenjang-nyeons, or a customizable mix. odorous, pretentious, men-hating, out-of-mind women are framed in an instant.

wash out the talks and traces, but 115th in the world for gender equality is a fact.  

showers of shame under eyes are hanging over my head, but I stand. we must stand.

it is a manual, a cycle that narrows in with the hand-me-down manacle of prejudice:

mothers still sigh and sob, accompanied immediately by the parents-in-law, for the newborn babies in their arms barely with a gasp or two from the world, by looking at their chest, their genitals. it’s missing, they say. the family line is severed, they say. not again, they say.

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Alice Nguyen '18

POETRY

 

journeyman

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“journey, journey to a spot ex—citing, mystic and exotic” -pippin, the musical

easy woman

smiles through dark windows

waiting for a start

easy woman

gives herself up like a rest stop

on a lonely road

easy woman

never manages to tie anyone

down long enough

easy woman

soft like the bruises

blooming on her thighs.

tonight I sing for them

the girls with so little love to give

the houses that never did become home

the empty rooms and swollen sheets

tonight I sing for wilting hearts

kept alive on tenterhooks

but their fleeting lust

their softness

their smirk

still have me writing love songs.

Sabrina Messineo '20

ART

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